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Re-Viewing sites of preservation brings together works by the artist collective Notes on Hapticity (Elena Kostenko, Kees van Leeuwen, and Hannah Dawn Henderson). Their practice comes from the wish to use artistic techniques to explore subjects such as cultural theory, history and anthropology. (1)
Artists: Elena Kostenko, Kees van Leeuwen and Hannah Dawn Henderson. Read more about the members of Notes on Hapticity here.
Notes on Hapticity
Founded at the end of 2019, their activities as a collective were catalysed by the onset of the Covid-19 pandemic and its impact on spatiality, social relations, and haptic modes of interacting. Their guiding principle departs from the concept of the ‘haptic encounter’ — a theme that extends as a red thread throughout their individual practices and collective presentations. Their projects encompass exhibitions, printed matter, web articles and lectures. Read more about Notes on Hapticity here.
DOC4 is a residency location on the Scheepmakersdijk in Haarlem, where (inter)national artists can temporarily live and work. The program is coordinated by 37PK in collaboration with Nieuwe Vide. During a residency period at DOC4, the collective Notes on Hapticity will work on the upcoming exhibition Re-Viewing Sites of Preservation in Haarlem.
During their residency artist collective Notes on Hapticity (N.O.H — Hannah Dawn Henderson, Kees van Leeuwen, Elena Kostenko) will develop a public programme. This programme will feature different forms of conversational gatherings, both cradling and emerging from their forthcoming exhibition, Re-Viewing Sites of Preservation. These gatherings will explore themes that are prominent in the artists’ works, such as spatiality, archives, and community. You can find the full programme here.
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