Exposities

ned / eng

Re-Viewing sites of preservation brings together works by the artist collective Notes on Hapticity (Elena Kostenko, Kees van Leeuwen, and Hannah Dawn Henderson). Their practice comes from the wish to use artistic techniques to explore subjects such as cultural theory, history and anthropology. (1)

Artists: Elena Kostenko, Kees van Leeuwen and Hannah Dawn Henderson. Read more about the members of Notes on Hapticity here. 

Notes on Hapticity
Founded at the end of 2019, their activities as a collective were catalysed by the onset of the Covid-19 pandemic and its impact on spatiality, social relations, and haptic modes of interacting. Their guiding principle departs from the concept of the ‘haptic encounter’ — a theme that extends as a red thread throughout their individual practices and collective presentations.
Their projects encompass exhibitions, printed matter, web articles and lectures.  Read more about Notes on Hapticity here.

In the exhibition, the artists draw on stories contained in distinct spaces: a defunct nuclear bunker, an archive, a garden, one’s body, a new country. Paradoxically enough, each of these structures can be understood as both a place of safety and hostility. For example, the dynamics of inclusion and exclusion in society, the harsh response of the body’s immune system, or the strange calm found in a bunker deep underground. 

Through their research on these structures, the artists came into contact with forms, stories and images that provoke feelings of both estrangement and hyper-awareness. In each of the artworks, the process of preserving and sharing the experience of these structures is explored, often touching on cultural and political legacies, vulnerability and resilience, and the role of abstraction as a way of coming to terms with challenging circumstances.

The artists seek to ‘re-view’ these sites — re-staging them within the perimeter of the Nieuwe Vide’s exhibition space. In all of the works, the gesture of mediating the viewer’s gaze is key – concealment, exposure, enlargement, de-figuration and (dis)orientation are revisited and revised so as to create a greater awareness of the implications of one’s spectatorship.

(1) Anthropology: A social science about humanity and the creation of culture. In the past, these studies have often been done from a colonial context. A new generation of researchers that have brought these methodologies into question.

DOC4: Artist-in-Residence & Public Programme

DOC4 is a residency location on the Scheepmakersdijk in Haarlem, where (inter)national artists can temporarily live and work. The program is coordinated by 37PK in collaboration with Nieuwe Vide. During a residency period at DOC4, the collective Notes on Hapticity will work on the upcoming exhibition Re-Viewing Sites of Preservation in Haarlem.

During their residency artist collective Notes on Hapticity (N.O.H — Hannah Dawn Henderson, Kees van Leeuwen, Elena Kostenko) will develop a public programme. This programme will feature different forms of conversational gatherings, both cradling and emerging from their forthcoming exhibition, Re-Viewing Sites of Preservation. These gatherings will explore themes that are prominent in the artists’ works, such as spatiality, archives, and community. You can find the full programme here.

12 Dec t/m 21 Dec 2020

Slappe Druiven Scherpe Randjes

04 Nov 2020

Tumult

10 Sep t/m 01 Nov 2020

No Hope for Sisyphus

07 Aug t/m 23 Aug 2020

TMI: searching for truth in the post-truth era

08 Jun t/m 01 Sep 2020

Unlocked/Reconnected

27 Apr t/m 23 May 2020

Verena Hahn

14 Feb t/m 08 Mar 2020

Ministerie van Tevredenheid

09 Jan t/m 09 Feb 2020

Not For Profit Art Party